The Kat Von D Case: Court Reconsiders Miles Davis Tattoo

Слева — черно-белое портретное фото музыканта Майлза Дэвиса с пальцем у губ, сделанное фотографом Джеффри Седликом. Справа — крупная реалистичная татуировка на руке, выполненная по этому снимку, демонстрирующая высокую детализацию и сходство с

One of the most high-profile lawsuits in recent years has erupted in the world of tattoo art and copyright. On June 9, 2026, Judge Mary H. Murguia, presiding over the U.S. Ninth Circuit Court of Appeals, issued an unprecedented decision: the copyright infringement case of photographer Jeffrey B. Sedlik against renowned tattoo artist Kat Von D (real name Katherine von Drachenberg) will be reheard by the full court. This event, known as an en banc review, is extremely rare and signals the importance of the precedent for the entire creative industry.

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Copyright in the Tattoo Industry: The Case of Kat Von D and the Fate of the “Total Concept and Feel” Doctrine

Тату-мастер наносит портрет Майлза Дэвиса на плечо клиента

The world of artistic tattooing and the strict legal framework of intellectual property have clashed in an unprecedented confrontation that could forever change the rules of the game for artists worldwide. This refers to the protracted legal battle between the icon of the modern tattoo scene, Kat Von D, and renowned photographer Jeffrey Sedlik. At the heart of the dispute is the iconic portrait of jazz legend Miles Davis, which Kat transferred to her client’s skin. This case has ceased to be a mere private dispute over fees and has evolved into a large-scale discussion about where copying ends and a new art form begins, and why traditional tests for “similarity” of works no longer work in the era of social media and hyperrealism.

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